Language Arts Residencies: One School |
||||||||||||||||||||||||||||
Connie Clark as Emily Dickinson |
||||||||||||||||||||||||||||
|
Performance audiences are to be grouped |
||||||||||||||||||||||||||||
|
Emily Dickinson for grades 3-5 |
||||||||||||||||||||||||||||
|
Day 1: one or two 60 minute performances, followed by Clark's meeting with core classes for further Q/A on Emily Dickinson, poetry, and 19th century life; |
||||||||||||||||||||||||||||
|
Day 2: compose group poems, first as a whole class, then in small groups; |
||||||||||||||||||||||||||||
|
Day 3: present group poems to full class; students discuss response to these poems, and possible ways to strengthen them. |
||||||||||||||||||||||||||||
|
Emily Dickinson for grades 6-12 |
||||||||||||||||||||||||||||
|
Day 1: one or two 60 minute performances, or one full play performance, followed by Clark's meeting with core classes for further Q/A on Dickinson, her poetry, and 19th century life; |
||||||||||||||||||||||||||||
|
Day 2: focus on poetry in general , bringing in the works of many poets; |
||||||||||||||||||||||||||||
|
Day 3: focus on speaking the poetic line, stressing the vital importance of speaking poetry with the emotions intended by the poet to bring the poem to life; students select poems they wish to work on; |
||||||||||||||||||||||||||||
|
Day 4: students speak poems aloud after breaking into small groups, critiquing each other as Clark mingles and makes suggestions to them as they try again; |
||||||||||||||||||||||||||||
|
Day 5: students speak their poems for the entire class; class discusses its response to these poems, and other possible interpretations. |
||||||||||||||||||||||||||||
|
Teacher Workshop Included |
||||||||||||||||||||||||||||
|
One after school session with teachers on speaking the poetic line with the emotions intended by the poet, to enrich work on poetry in their classes. |
||||||||||||||||||||||||||||
|
© 1997, 1998, 2002 Connie Clark & David M. Walker |
||||||||||||||||||||||||||||